music producers

Ebonie Smith: From Engineering Cardi B’s 'Invasion of Privacy' to Founding Gender Amplified

Photo Credit: Matt Fajardo

Ebonie Smith is a celebrated music producer, audio engineer, and singer-songwriter based in the vibrant hub of Los Angeles.

With an impressive track record in the industry, she most recently served as senior audio engineer and producer at Atlantic Records, contributing to iconic projects like the Broadway cast album of Hamilton, Janelle Monáe’s Dirty Computer, and Cardi B’s Grammy-winning Invasion of Privacy.

As Co-Chair of the Producers & Engineers Wing of The Recording Academy, Ebonie is a driving force for innovation and inclusion in music production. She’s also the founder and president of Gender Amplified, a nonprofit she launched in 2007 that’s dedicated to celebrating and empowering women and gender-expansive music producers.

With a master’s degree in music technology from NYU and an undergraduate degree from Barnard College at Columbia University, Ebonie brings both academic rigor and real-world experience to everything she does — making her a true leader and inspiration in the music world.

In this Q&A, we sit down with Ebonie to explore her journey, her mission with Gender Amplified, and her vision for a more equitable future in music.

How did you get your start in music?

I got my start in music through a deep love for sound and storytelling. From an early age, I was drawn to instruments and the way music could shape emotions and experiences. My formal journey began with playing piano and experimenting with production tools, eventually leading me to engineering and production. That curiosity and passion set the foundation for everything I do today.

How did your experience at Barnard spark the vision for Gender Amplified, and what’s changed most since you started it in 2007?

Barnard was where the vision for Gender Amplified took root. Studying in an environment that emphasized women’s empowerment made me keenly aware of the disparities in music production, particularly for women and non-binary creatives. What started as my thesis project became a movement to carve out space for underrepresented producers. Since 2007, the industry has evolved—there’s more visibility and conversation about gender equity—but access and real opportunities are still a challenge. Gender Amplified has grown into a platform that not only uplifts but actively creates opportunities for the next wave of producers.

‘In Bloom’ is Gender Amplified’s first official EP — what did you want it to represent for your community, and what are you most proud of?

With In Bloom, I wanted to showcase the power of collaboration and the brilliance of gender-expansive producers. It’s a sonic statement that says, “We are here, we are creating, and our work deserves to be heard.” I’m most proud of how it brings together different voices and styles while staying true to the mission—elevating talent that often goes unrecognized in mainstream spaces.

You've built space for gender-expansive producers to thrive — what advice do you give to those trying to break into the production world right now?

My advice is to start where you are and build with what you have. Learn your tools, experiment fearlessly, and stay consistent. Community is everything—find your tribe, collaborate, and support others. Most importantly, own your sound and trust that there’s a place for your voice in this industry.

What’s the biggest misconception about what a music producer actually does — especially when it comes to women and non-binary creatives?

One of the biggest misconceptions is that producers just press buttons or that they play a passive role in music creation. In reality, a producer is the architect of a song’s entire sound. They shape the arrangement, guide the artist’s performance, and bring a vision to life. When it comes to women and non-binary producers, there’s often a false assumption that they aren’t as technical or hands-on, which couldn’t be further from the truth.

You’ve balanced major label work with grassroots organizing — how do you navigate both worlds and keep your mission grounded?

It’s a balancing act, but for me, the two worlds inform each other. My work with major labels gives me insight into industry structures, while grassroots organizing keeps me connected to the people who are shaping culture from the ground up. Staying grounded comes from always returning to the why—am I creating access, am I opening doors for others, and am I using my position to uplift? That’s what keeps me aligned.

The CTRL Room Series helped birth some of the tracks on the new EP — what makes these camps so powerful for creative development?

The magic of the CTRL Room Series comes from the energy of the room—when you bring together talented producers, artists, and songwriters in a space that fosters experimentation, incredible things happen. These camps remove the pressures of the industry and allow creativity to flow organically. That freedom and exchange of ideas are what make them so powerful.

As Co-Chair of the Recording Academy’s Producers & Engineers Wing, how are you working to create more equity in the industry from the top down?

One of my focuses is ensuring that policies and initiatives prioritize inclusion, not just in conversation but in real decision-making. That means advocating for fair crediting, increasing representation in studio spaces, and pushing for more educational resources that level the playing field. It’s about making sure that underrepresented producers have a seat at the table and the tools to thrive.

Can you share a moment in your career that affirmed you were on the right path — even when it wasn’t easy?

There have been so many moments, but one that stands out is seeing an artist or producer I’ve mentored go on to achieve success. When someone tells me that Gender Amplified, a studio session, or a piece of advice I gave changed their trajectory, it’s a reminder that this work matters. Those moments make the struggles and setbacks worth it.

What do you want the next generation of producers to believe about their power and their place in the music industry?

I want them to believe that they belong. Their ideas, their creativity, and their unique sound have value. The industry is shifting, and there’s more room than ever for new voices to redefine what music sounds like. The key is to own your artistry, build your community, and never wait for permission to create.


Website: Gender Amplified | Ebonie Smith on Instagram

ILĀ on EP 'Murmur' with Imogen Heap, Guy Sigsworth, Reeps One and What’s Next

Photo credit: Sophia Stefellé

ILĀ is an artist, producer, and vocalist working across voice, sound, and technology. Their practice spans live performance, immersive installation, and experimental composition. As co-founder and director of London Contemporary Voices, ILĀ has collaborated with over 25 Grammy-winning artists, including Florence + The Machine, Imogen Heap, and U2, and contributed to major projects such as the BBC Proms and runway shows for Burberry and Tommy Hilfiger.

Their recent work includes UN/BOUND, a holographic sound installation created with TRANS VOICES and MONOM for Feel the Sound at The Barbican. The piece combines choral voices with tone transfer models by NEUTONE and quantum computing tools developed with MOTH. ILĀ’s upcoming short film murmur features collaborations with Ai-Da (robot artist), Imogen Heap, Guy Sigsworth, BISHI, and Portrait XO.

ILĀ has performed and presented work internationally, including at the World Economic Forum, TED Countdown Summit, Silencio (Paris), Puzzle X (Barcelona), the University of Oxford, and Harvard University. Other commissions include Kindred (animated VR film), Loomaland’s Robot Swans, and a collaboration with Turner Prize-winner Jesse Darling on MISERERE.

They are a member of the Ivors Academy Future Sound Experience Council, the Earth/Percent Music Committee, a Redcliffe Advisory ambassador, and a research partner on AI and music at the University of Sheffield. In 2022, ILĀ co-founded TRANS VOICES, the UK’s first professional trans+ choir, which debuted with a music documentary for Guardian Films.

In this interview, ILĀ speaks about the making of murmur, working with artists like Imogen Heap and Guy Sigsworth, and recent projects that connect voice, technology, and live performance.

Your latest EP, murmur, features collaborations with groundbreaking artists like Imogen Heap, Guy Sigsworth, and Reeps One. What’s the through-line connecting all these voices, and what did you learn from working with them?

Murmur comes from a very deep and instinctual part of me - and is mostly all born from the voice in some way or another.

Of course, my identity as a brown trans person strongly informs my experience of life - and it’s lead to a lot of trauma - I think my early creativity was born from a very urgent need to give voice to that. I’m as interested in creating choral music with human singers, as I am in making electronic music or working with quantum.

For me, I find just as much beauty and possibility in both - I like go to the places I’m most scared of - because there’s usually some mystery there I want to tap into. I feel that intense curiosity in me is sparked around people like Imogen, Guy and Reeps One.

With the help of Portrait XO, I created hybrid voices of Imogen and I and Bishi and I. They are like a playful child - surprising, unpredictable. With Reeps One, there has been this exploration of permission - that the first idea is good enough.

But also finding a second self within these hybrid voices - that can almost act like a sparring partner - ever expanding what we can do. Guy would bring out this oxygenated side to my voice, putting together these phrases from what I would sing which I thought would be impossible for me to re-sing. Weirdly, I found myself able to - and went through these huge expansion of what was possible for me. 

Photo credit: Sophia Stefellé

You’ve spoken at Oxford University, collaborated with the European Space Agency, and composed with quantum computing. What’s the wildest or most unexpected place your music has taken you?

I’m going to be singing with Nightingales with Sam Lee and violinist and composer Anna Phoebe. I’m so curious about it - being in nature, singing - creating with these mysterious little birds in the woods. I’m hoping to create a piece of music from it for Earth/Percent - the music industry’s climate foundation -  who I’m on the music committee with. 

You’ve worked with some of the biggest names in music, from Björk’s collaborators to Grammy-winning artists. Looking back, what’s been the most defining moment of your career so far?

I think Murmur marks a really shift for me. Creating it with Imogen Heap, Guy Sigsworth, Bishi, Reeps One, Portrait XO, TRANS VOICES and Jake Miller just blew me open. I admire them all so much and have this deep bond of trust there. I feel I found this more instinctive part of my voice. A freedom. It’s also the first release that has my first steps into quantum computer music in it. This also said, in the spirit of quantum, I actually genuinely feel that the most defining things are always the smallest. The culmination of all the momentary interactions - a going this way rather than that way in a melody or a conversation - those things change everything. I love the chaos that brings to life. 

You’re constantly pushing into new territory—whether it’s AI music, DNA sequencing, or sonic storytelling. What’s next for you?

My next single Recurse comes out on 25th April. It has this playful rage in it - like a lightness but then it also felt so cathartic - like I could finally really embrace noise. I made it using quantum reservoir computing in partnership with MOTH. As part of it there will be an infinite quantum radio that will continuously stream an ever evolving of the piece that people can interact with. I got to do a performance of it at Havard a few weeks back. 

I’ve also co-created my first installation piece UN/BOUND with TRANS VOICES and MONOM which is part of theFeel The Soundexhibition at The Barbican. It’s a immersive holographic choral piece with electronics I’ve made using quantum. Audience members can also transform their voices into TRANS VOICES’ hybid voices using a tone morphing model by Neutone. The exhibition is going to be going on a 5 year world tour. The exhibition opens May 22.

  • Interview by @ninakeh


ILĀ on Instagram | Website

5 Key Strategies for Effective Music Promotion on Social Media

Strategic content creation is a catalyst for growth whether you're just starting out or breaking through as an artist. This isn't just about social media; it's about authenticity and connection in your craft. Here are some key insights to amplify your strategy.

1 - Be Intentional With Your Audio

Identify the most catchy parts of your music and build your social media campaign around this. Is it a chorus, a beat change or lyrics? These moments are your golden opportunity to grab your audience's attention and to make your music memorable. While this isn't a call to action to "create" music for social media, it's about recognizing the elements in your existing music that have the potential to convert listeners.

2 - Brand Voice

Your content on social media tells a story about you as an artist. Are you projecting a vibrant image, or is your content moodier and edgier? Elements like location, colors, contrast, and tone play a crucial role in defining your brand and how authentic it appears to your audience. It's essential to be intentional about the image you project because it can shape the perceptions of new and existing fans. Your brand voice should align with your music and personality, creating a cohesive and relatable identity.

3 - Video Frame

There isn't one specific format that's guaranteed to crush on social. One pattern (among many) is the subject, especially if it's the artist, occupying a significant amount of space within the video frame. Experiment with being prominent in your video, even if it means taking up 3/4 of the video frame. The depth and space you occupy in relation to the background can help capture people's attention as they're scrolling by, making you stand out.

4 - Text Enhancement In Video

Not every video requires text, but it can be a valuable addition, depending on the content. Whether it's displaying lyrics or transcribing what's being said, text on screen can help retain viewers' attention and keep them engaged. Additionally, text can reinforce lyrics or provide context, making it easier for viewers to connect with your music. Consider using text strategically to enhance your storytelling and engage your audience effectively.

5 - Utilizing Social Platform Features

Creating content takes time, energy, resources, and hard work! When posting the content you worked so hard to create, it's worth being intentional with using the features of each social platform to maximize the post. For example, on Instagram, you can utilize Collab posts to reach a wider audience. Each platform has its own set of rules and best practices; it can be hard to keep up with them all, but they are worth considering to maximize your content.

BONUS TIP 1: Consistency is Key

Consistency builds trust and reliability with your audience. Establish a consistent posting schedule. Whether it's daily, weekly, or bi-weekly, a predictable posting pattern keeps your fans engaged and helps build anticipation for your next piece of content.

BONUS TIP 2: Engage Your Audience

Respond to comments, ask questions, use a broadcast channel, go live and create a dialogue with your audience. Engagement builds a sense of community around your content and encourages followers to become active participants.


Did you know that shesaid.so NINA members have access to our ever-growing content library, featuring music business workshops and talks, industry-focused educational content, exclusive interviews, and more?

Gain exclusive insights directly from music industry executives and artists.

Become a member: shesaid.so/membership