music insider

Music Insider: Linda Walker

Linda Walker is a music industry executive with a commitment to integrity and a passion for nurturing talent. She is known for her success in forming partnerships with top artists such as Ed Sheeran, Coldplay, and Dua Lipa.

Linda’s adept communication and stakeholder engagement have facilitated collaborations with major digital music platforms like Apple, Spotify, YouTube, TikTok and Amazon, driving successful campaigns worldwide.

She has been recognized as a prominent advocate for Women in the Music Industry, earning her a place in Music Week's Women in Music, Roll of Honour in 2020.

How did you get your start in music?

I used to spend all my spare time (and money!) in a local Indie Record Store. They got so used to me being in there, one day they offered me a job. I was working in a law office at the time, but I handed my notice in that same day, started in the record store the following week, and absolutely loved my job from day one. Through working in the store, I met many sales reps that worked for the record labels, and I basically drove them all crazy by asking them to get me a job! Eventually, through continually plugging away, I got an interview at Warner Music to be part of their sales team. I really thought I had messed up the interview, but I got the job and never looked back.

Your career has been marked by successful partnerships with globally renowned artists like Ed Sheeran, Coldplay, and Dua Lipa. Can you share some key strategies you’ve employed to cultivate these creative commercial partnerships? 

Partnership is the keyword when you are working on campaigns such as these. Great relationships and a clear understanding of how your commercial partners work is essential to building a strong, commercially, and creatively impactful partnership. The starting point for me has always been to dig into the key objectives for a project from the artist, management and label’s perspective, and then to build a commercial strategy and partnership plan that achieves these objectives. With huge global artists like Ed, Coldplay and Dua, you must approach everything you do with a global mindset, building plans that are truly global in their ambition and reach.

Can you provide insights into how you approach and build strong relationships in the music industry - e.g. with stakeholders or music companies?

Relationships are a two-way thing and need to be nurtured, so be an active listener and remember, if you are building anything, you must keep coming back to it. I also think it’s important to be your true self, people will respect you for that and will generally see through you if you put on an act.

As a leader in transforming a music business into a predominantly digital operation, what challenges did you face, and how did you overcome them?

I remember when as a business, we first started speaking about digital music platforms, there was a slightly reluctant and fearful attitude towards the change. I always felt that we just needed to embrace the change and actively look for the positive impact it would have on our business. I jumped at the chance to work with iTunes when they first launched a store in the UK, as it just felt so exciting to be involved with something new and future facing. My point is, embrace the change!

What advice would you give to independent artists or smaller labels looking to optimize their strategies for a successful music release?

I don’t think there has ever been a better time to be an independent artist or label. You now have the tools to do so much for yourselves and you understand your audience better than anyone. There is an overwhelming amount of music released onto streaming platforms every single day, and it’s hard to get cut through, however, I would say focus your energy on what you can control, rather than what you can’t. Actively help your audience to find your music, they are your audience and your fans, not the streaming platforms’ so build that fan relationship and allow them to be part of your journey. This relationship goes beyond just streaming consumption so build a commercial strategy that encompasses all the elements that speaks to your audience.

What are some key trends or changes you currently observe in the music industry? - e.g. AI or anything else?

Well, leading on from the previous question, there is certainly an exciting time ahead for the independent sector. My old school record store self is delighted to see how well vinyl is doing and to see the indie retail sector so strong. AI is here to stay and will continually evolve, so as an industry, we need to grow with it, embrace the change and not be scared. There are going to be positive impacts, as well as negative, so the industry needs to pull together to harness the positives and work with legislators to protect against the negatives.

In your journey, how have you effectively balanced the creative aspects of the music industry with the necessary business acumen? 

Creativity is at the heart of the music industry, and I hope that never changes! Having a clear commercial strategy that delivers on short, mid and long-term goals, can easily weave together creative ideas alongside business ambition. One is not exclusive of the other.

What tips can you share with aspiring professionals to strike a harmonious balance between artistic vision and commercial success?

Understand what success means to you, it’s actually quite an individual thing to measure. Understanding this helps you to map out the steps needed to achieve your goals and how your artistry feeds into these plans. You should always remember why you do what you do and be your authentic self. Your passion, authenticity and purpose will drive you forward.

Tips on finding your first music job?

Work hard on building out your network and never be afraid to reach out to people who you find interesting and whom you think you could learn from. I can’t tell you how many people that I’ve never met before, have agreed to jump on a call or meet me for a coffee. The worst that can happen is that they don’t reply or say no, but you’ll probably be surprised by how many people will say yes. Also, don’t shut yourself off to one specific type of role, learn as much as you can about the industry (from your newly formed network) as there may be roles that you didn’t even know existed that spark your interest.

Tips for anyone who wants to get into your industry

Learn as much as you can about how the industry works. You have many resources available to you, so use them. And remember, music is a broad industry so don’t be afraid to explore all options.

Connect with Linda Walker

Music Insider: Iiris Vesik (Night Tapes)

Night Tapes (Max Doohan, Sam Richards and Iiris Vesik) is a London-based, genre-blending atmospheric dream pop band with haunting vocals by Iiris.

The band's inspiration came from both their lived experience in the world that they can see and touch, as well as the less tangible spiritual and metaphysical realm. 

The 'Perfect Kindness' EP has been mixed by Nathan Boddy (known for his work with PinkPantheress, James Blake, Mura Masa) and mastered by Matt Colton (noted for his work with Flying Lotus, Flume, and Brian Eno).

Their debut single "Forever" has already amassed over 5 million plays, while their music continues to garner support from various media outlets. Having signed to Nettwerk Music Group in 2022, Night Tapes also made their SXSW debut in 2023.

These are Iiris's reflections on songwriting and valuable tips for overcoming creative hurdles.

What experiences impact your songwriting and the emotional depth of your music?

I think that being a musician is somewhat of a mystical, mythical journey because so many things are out of your direct control. You're a part of a bigger wave than yourself. It's bigger than you. And you're bringing creations from a world unseen, from that big wave out into the real world and making something out of nothing.

And I feel very lucky to have writing by my side because I can describe what the fuck is happening to me. And I agree with the existentialists. When you have the power to describe what is happening to you, you can somewhat take your own experience into your own hands.

For me, that has helped to feel like I can turn the things that happen to me into something useful and that I can take control. No, not control…I can take responsibility over my own reality and spot some treasures in the underworld.

At times I feel like I'm free and on the right path. Carl Jung has said “the work is the expression of my inner development for commitment to the contents of the unconscious forms the man and produces his transformations”. But to be honest, I just trust the unknown because it's been really useful, effective and easy for me to create.

I love the scientific and I love the empirical. But when it comes to art, the work I do is between me and the source. And the more I've let go, the more I've trusted, the more I've been able to flow in synchronicity, meet the peeps that I need to meet. And at best, creation has felt like magic and a journey of individuation. So I do recommend.

Tips for finding your creativity on a challenging day.

I think one can't really be creative if the Maslow hierarchy of needs is missing. The bottom half my body needs nourishment and sunlight and eating and exercise and all that good stuff that I didn't think I used to need. I used to think that music is number one and everything else is secondary and let me tell you, that was a bit destructive. I do NOT recommend.

So on a tough day, I think that there's definitely phases to creation (and to life), and it's good to not mix them up together. It's like if you're resting, rest. If you're working, work. There's chaos, there's order. And it's good to start from order, because without order, there is no harvest. So having a plan, having a setup, having an environment that supports your creativity is necessary and that comes through order. You create those things for yourself. You set them up in order.

And then when you get there, that's when you can go into chaos because you can let loose, vomit out the ideas that you did, just like get the material out so you'd have material to work with.

And then when you got the material, then you can see like OOH, what shape is this? What is this? And then you can your analytical mind, your intellectual knife and start to sculpture the thing of your vision, of your dream, what you're thinking.

And then once again, you have to go into chaos to let go of the outcome, to have some surprise, to be open to the highest, best outcome. Because the thing that wants to come through you is already somewhere out there in the world, unseen. And you can just act as a tool (if you're into that sort of way of thinking, which I am, because it's easy).

And then when things go, a lot of the times it's because you just don't know what phase you're in. Like in creation, try to start chiseling with an intellectual knife of a thing that you don't have to chisel. You need to have the phases in the right order and you need to be able to know which phase you're in.

So sometimes you show up, you try to implement your order for your harvest but sometimes it's good to just ask like, maybe this is not the time. Maybe it's time for a little chaos. Maybe it's time for a little bit of task free time. Maybe it's time to slug out a little bit, to breathe in so you could breathe out.

So that would be my tip for finding some power to go on on a tough day of creation.

(Yeah, this is long).